Resonansi verbal dan visual puisi kontemporer karya Aan Mansyur di Instagram: Kajian stilistika Verbal and visual resonance in Aan Mansyur’s contemporary poetry on Instagram: A stylistic analysis
Main Article Content
Abstract
This study discusses Aan Mansyur's digital poem entitled TETAPI, TIDAK uploaded via the Instagram account @apoetographer. The background of this study stems from the phenomenon of poetry that combines literary style and visual elements on Instagram. The purpose of this study is to reveal how literary style as a verbal aspect and visual aspect of poetry resonate. The method used is descriptive qualitative with a stylistic approach by Pradopo (2021). The results show that Aan Mansyur uses language style to emphasise social criticism and moral awareness. The visual element of purple-green colour gradation reinforces the reflective and contemplative atmosphere. The conclusion of this study confirms that Aan Mansyur's digital poetry presents verbal and visual resonance, namely the harmony between the power of language and visual elements that reinforce each other in building an aesthetic experience. This resonance shows the transformation of the function of poetry in the digital era from a mere medium of expression to a reflective, empathetic, and humanistic space that unites words and colours in a single contemporary aesthetic consciousness.
Downloads
Article Details

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
![]()
Every work in Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a CC BY-SA 4.0 DEED Attribution-ShareAlike 4.0 Internationalthat allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
References
Al-Ma’ruf, A. I., & Nugraharani, F. (2017). Pengkajian sastra: Teori dan aplikasi. https://shrtlink.ai/rgzt
Amalia, L. (2018). Unsur semiotik pada kumpulan puisi Melihat Api Bekerja karya M. Aan Mansyur. Diglosia: Jurnal Pendidikan, Kebahasaan, dan Sastra Indonesia, 2(2), 74–84. [suspicious link removed]
Fawaz, M. F., & Kartini, A. (2025). Menulis puisi di era digital: Panduan pembelajaran model kontekstual stratta berbantuan mobile cipta puisi. LovRinz Publishing. https://shorturl.at/tFhiz
Fransori, A. (2017). Analisis stilistika pada puisi Kepada Peminta-Minta karya Chairil Anwar. Deiksis, 9(1), 1–12. [suspicious link removed]
Gurning, L. R. (2021). Penerapan visual pada Instagram sebagai media daya tarik kaum milenial terhadap puisi. Magenta: Official Journal STMK Trisakti, 5(1), 748–767. https://doi.org/10.61344/magenta.v5i01.67
Khoirunnisa, K., Ziqriyani, D. P., & Sumarlam. (2021). Pemanfaatan aspek repetisi pada antologi puisi “Sesudah Zaman Tuhan” karya Abi Bayan dan 47 penyair nusantara: Suatu kajian analisis wacana. Prosiding Seminar Nasional Linguistik dan Sastra (SEMANTIKS), 357–366. [suspicious link removed]
Kress, G., & Van Leeuwen, T. (2020). Reading images: The grammar of visual design (Edisi ke-3). Routledge. https://doi.org/10.4324/9781003099857
Kusumawardhani, O. A., & Doyin, M. (2019). Figurative and imagery language in poetry set Melihat Api Bekerja by M. Aan Mansyur: Stylistic review. Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia, 8(3), 63–69. [suspicious link removed]
Lakoff, G., & Johnson, M. (1980). Metaphors we live by. University of Chicago Press. [suspicious link removed]
Leech, G. N. (2014). A linguistic guide to English poetry. Routledge. https://doi.org/10.4324/9781315836034
Leech, G. N., & Short, M. (2007). Style in fiction: A linguistic introduction to English fictional prose (Edisi ke-2). Routledge. [suspicious link removed]
Lia, R. A. A., & Sedikan, S. Y. (2026). Interaksi multimodal pada puisi digital kanal @Fiersabesari tahun 2020-2023: Kajian intermediasi Hayles. SAPALA, 13, 50–61. [suspicious link removed]
Mansyur, A. [@apoetographer]. (2025, 5 September). TETAPI, TIDAK [Unggahan puisi digital]. Instagram. https://www.instagram.com/p/DOOQT65k_yu/
Munaris, M., Prasetyo, H., Maharani, S. P., & Takahashi, T. (2024). The form and role of deviation in a collection of poems Mengapa Luka Tidak Memaafkan Pisau by M. Aan Mansyur. Diksi, 32(2), 295–310. https://doi.org/10.21831/diksi.v32i2.66207
Pradopo, R. D. (2021). Stilistika. Gadjah Mada University Press. https://shorturl.at/cBrho
Solichah, N. A., Darni, & Fanani, U. Z. (2025). Dari foto ke frasa: Desain pembelajaran transformatif materi puisi untuk membangun keterampilan abad 21 dengan pendekatan pembelajaran mendalam. Jurnal Multilingual, 5(2), 310–323. [suspicious link removed]
Sulianta, F. (2024). Puisi kontemporer. Feri Sulianta. https://shorturl.at/PBwpI
Syamsiyah, N., & Rosita, F. Y. (2020). Gaya bahasa dalam kumpulan puisi “Dear You” karya Moammar Emka. Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya, 3(1), 1–13. https://doi.org/10.30872/diglosia.v3i1.27
Verdonk, P. (2002). Stylistics. Oxford University Press. https://books.google.com/books?id=4ocQmzBiBMcC
Widdowson, H. G. (2014). Stylistics and the teaching of literature. Routledge. https://doi.org/10.4324/9781315835990
Widuri, A. W. P., Khoir, S., Darni, D., Yunita, V., & Li, S. (2024). Analisis stilistika antologi puisi Li Bai dan Sudi Yatmana: Teori Northrop Frye. Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya, 7(3), 537–550. https://doi.org/10.30872/diglosia.v7i3.983
Yusliarti, F., Engliana, E., & Miranti, I. (2020). Gaya bahasa aliterasi pada puisi pilihan karya Li Qing. DEIKSIS, 12(1), 24–35. https://doi.org/10.30998/deiksis.v12i01.4133